Khamosh Pani (2003)

Directed by debutante film-maker Sabiha Sumar, Khamosh Pani (Still Waters) narrates the tale of Ayesha (Kiron Kher), a woman well into her forties who has devoted her life to bringing up her son in a small village in the Punjab district of Pakistan. Set in 1979, when General Zia-ul-Haq has imposed martial law and the country was decreed a Muslim state, the film raises probing and rather uncomfortable questions about the partition, without resorting to the usual hysteria, melodrama and violence one associates and expects from a movie dealing with as volatile a subject. Though a Pakistani, she presents an unbiased view of the partition, when many Sikh and Muslim women were cold-bloodedly killed by their own families in order to avoid dishonour at the hands of the ‘enemy’. The irony in this narrative is that the women were perhaps safer left in the enemy’s hands. Sumar also deals with the themes of women’s emancipation, dreams of the youth in a country struggling to assert its identity, the need for a vocation and a goal in life and how easy it is to fall victim to fundamentalism in the absence of such a goal.

An absolutely brilliant movie – it is subtle and simple, but extremely effective. Excellent acting by the cast and a taut script drove home the point, without making the film a propaganda, unlike most movies on Partition. The movie has already won critical acclaim at international film festivals and received good reviews world-wide. Take my advice – go see it, before it vanishes from the Cinemas!