PIFF 2006 Report

Well I said I'd be back in a week, didn't I? And I'm back - older, wiser and more mature! Well, not exacty, but definitely more educated and with my grey cells scrambling around frantically, processing all the information that was being fed to them in the past one week. PIFF 2005 was a new experience. My first foray into the realm of serious cinema, my introduction to world cinema. There were films that shook me, others that I didn't comprehend at all (W.D will vouch for it, having left his first comment on my blog after my rather juvenile interpretation of one of the movies I'd seen!), and some that I enjoyed alot.

PIFF 2006 was more of an education than last year. The focus, but obviously, was on catching as many French films as I could. I can't say I regret seeing any film - though some of them left me with a bad taste in my mouth, it wasn't because it was bad cinema. Far from it...with a selection that comprised of very few light films, I've come out of this year's experience having learnt so much more and with a new list of topics for reading. I saw quite a few films all by myself this time - and without feeling wierd about walking into a movie hall alone. Ironically my friend who introduced me to PIFF and without whom I'd have never registered for it last year, didn't catch half as many films as I did (and I'm being generous here - I don't even know why he registered in the first place) - missed having him next to me to discuss a film as we waited for the next one to start...and that by no way means that I didn't enjoy the company that I had as replacement for Titu Dada. :-) My only complaint is that they don't organise the schedule in advance, allowing the delegates to plan which movies they want to watch according to the multiplex it's being screened at, not to mention their work schedules and that they randomly change film screenings at the last minute...

There was a focus, this year, on Isabelle Huppert, one of the finest actors of the French cinema, who believes that the art of acting is living out one's insanity. The films selected under the retropsective genre were mostly adaptations of classics - disturbing and even repugnant at times, but excellent cinema nevertheless. I didn't catch all the films, but from the few that I did see, I think I'm beginning to understand why she has won so many accolades for her work - either she's truly brilliant or truly insane that she lived those roles as she did!

• La Pianiste (The Piano Teacher) - adapted from the acclaimed novel by Nobel Laureatte, Elfried Jelinke, Michael Haneke, France, 2000.
• La Dentellerie, (The Lace-maker) - adapted from a novel by Pascal Laine, Claude Goretta, France, 1977
• La Cérémonie (A Judgement in Stone) - adapted from a novel by Ruth Rendell, Claude Chabrol, France, 1994.

...and here's the rest of the list :-

• Le Coeur des Hommes (The Frenchmen) - Marc Esposito, France, 2003 (repeat from last year - it's such a fun film I couldn't resist)
• Un Homme, Un Vrai (A Real Man) - Jean-Marie Larrieu, Arnaud Larrieu, France,2003 (repeat again, for the same reasons)
• Les Égares (Strayed) - André Téchiné, France, 2003 (a war film that focused more on relationships than the war itself, it's a beautiful and very sensitive film!)
• Violence des Échanges en Milieu Temperé (Work Hard, Play Hard) - Jean-Marc Moutout, France, 2004
• Un Amor Silencioso (Silent Love) - Federico Hidalgo, Canada, 2004 (interesting comment on the difficulties in finding love, the right partner and marriages arranged through match-making agencies between citizens of the 'first-world countries' and those of the 'third-world countries')
• Child Star - Don McKellar, Canada, 2004 (the only English film I saw - cute and fun!)
• Naplo Szerelneimnek (Diary for my Love) - Meszaros Marta, Hungary, 1990 (heavy, grey, depressing - set in the politically charged atmosphere of Stalin's USSR, it's part of the Dairy series.)
• Little Vilma, the Last Diary - Meszaros Marta, Hungary, 1999 (heart-breakingly poignant and beautiful film, it made me cry - the last of the dairy series, it's set in war-time USSR)
• Arizona Sur (Arizona Sun) - Miguel Angel Rocca, Daniel Pensa, Argentina, 2005 (fabulously fun!)
• Cabra-Cega (Playing in the Dark) - Toni Venturi, Brazil, 2004 (hard-hitting and very disturbing...equally enlightening for me)
• Bulutlari Beklerken (Waiting for the Clouds) - Yesim Ustaoglu, Turkey-France-Germany-Greece, 2004 (incredibly beautiful film set in Turkey & Greece)
• Bad Be Dastan (Empty Hands) - Abdolreza Kahani, Iran, 2004 (hilarious, despite the bleak backdrop of rural Iran)