Thursday, August 28, 2008

La Séparation (1994)

I specialise in depressing novels and films that subvert mainstream reality. As I confessed to a friend recently, I enjoy and thrive on depressing, subversive feminist novels. In keeping with my rather expansive statement I have been reading only highly depressing novels in the last few months and seeing wonderfully dark and depressing films.

I recently saw Christian Vincent's
La Séparation starring Isabelle Huppert and Daniel Auteuil. The film is about a couple whose marriage has been dead for a while and is just coming to terms with it after the wife confesses to having a love affair with another man - a man who listens to her, pays attention to her needs and understands her. Nothing really differentiates this couple from the others in the beginning of the film, not the absence of love and mutual harmony in their relationship, nor their lack of communication. But with the confession of infidelity, the relationship changes subtly. The husband's intital reaction to her confession is quite lukewarm and neutral. Instead of reacting negatively he attempts to understand and firmly believes that she must not have been physically unfaithful to him. Life goes on as usual; they come and go, leaving their son in the care of a young girl. But the confession has created an unsurmountable chasm between them and slowly the apparent indifference turns into something violent and acrimonious and they drift further apart till they finally separate.

Extremely disturbing, there isn't much of a story to this film, the director having chosen to focus on the two main characters and their thoughts and emotions. What struck me the most was the glaring absence of warmth between the three members of the family and the obvious lack of a relationship binding them as a family. No stranger to the reality and abundance of failed relationships, the sterile and cold death of this marriage left me feeling disturbed and made firmer my conviction that there is no fate worse than having to endure failure in a relationship for after all isn't it is our emotions and relationships that define us as humans?

The acting, needless to say was brilliant - what else can be expected from Isabelle Huppert who seems to have the knack of almost effortlessly convincing the audience of her character's reality? Having seen several of her films during PIFF 2006, and been shaken to the core by
La Pianiste, I knew I was seeing the oeuvre of a master. I am still amazed and floored by her flawless talent.

Definitely a film I'd recommend, despite the fact that it will leave you with many a dark thought and an irrepressible sense of hopelessness.

You can find a simulatenous review in French on
Accros de Français

4 comments:

pranabk said...

This is much better to read than the awful Google translated text of your French post!

G Shrivastava said...

PranabK - Hehehe well I certainly hope so!

Extempore said...

Very, very well done, beta. :-)

G Shrivastava said...

Extempore - Thank you muchly...there are atleast somethings I do reasonably well :-)